EL MARINO QUE PERDIO LA GRACIA DEL MAR PDF

While it is dark, reading it I knew it was only a story. Noboru, a 13 year old, is more in the favor of traditional Japan. Ryuji, the sailor, dreams of a heroic death and glory, which makes Noboru worship him. When Ryuji abandons all such thoughts of heroism, Noboru reacts violently. I know The Sailor Who

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While it is dark, reading it I knew it was only a story. Noboru, a 13 year old, is more in the favor of traditional Japan. Ryuji, the sailor, dreams of a heroic death and glory, which makes Noboru worship him.

When Ryuji abandons all such thoughts of heroism, Noboru reacts violently. I know The Sailor Who The gracefulness of the writing stands very much in contrast with the ominous content. His writing is very lyrical. The scene descriptions are vivid, very much like painting with words. Sunlight dances on the pages giving everything a different kind of glow. He infuses some beauty even in cringe-worthy scenes. In the second half of the book, when story begins to take a dark turn, there is a change in the tone of the writing as well.

While poetic descriptions are not completely abandoned, there are fewer of those. On approaching the ending, the story, however, seems to drag for a bit, largely because I could see what was going to happen a long way ahead. I was expecting it to generate a sense of foreboding, but that was lost.

Mishima provides some perspective on a character I can never hope to understand too well. Once I can digest how disturbed a child Noboru already is, the rest will perhaps be somewhat acceptable.

After all, misguided beliefs and fanatsies are not that uncommon among teenagers. Not only Noboru, the other characters are not very relatable either. This is more like a mere peek into a world completely alien to me. I am ok with that, I think. While characters are not fully fleshed out, Ryuji and Noboru have enough going on to let us see who they are. Fuskao, the only major female character, on the other hand was completely dis-appointing.

Other than playing these assigned roles, anything like a personality is non-existent. She does run a business of her own, but the only role she seems to play there is to buy stuff and the intricacies of the business are handled by her male associate. There is just one chapter where, of these three main characters, only Fusako makes an appearance. And she uses this stage-time to discuss her prospective husband with another woman. If you are drawing a female character who is a single mother running a business of her own, why not let her have at least one original, smart thought?

Apart from a complaint or two, I do think highly of The Sailor Who It is written economically, but there is lot to chew upon.

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