GREGSON TUBA CONCERTO PDF

It was written for, and is dedicated to, James Watson. It is the last in a series of brass concerti which the composer first started in with his Horn Concerto, written for Ifor James. The Trumpet Concerto is in three movements and is scored for Strings and Timpani. The first movement, Allegro giusto , has a sonata form outline and contrasts two main ideas: the first is strident, angular and highly rhythmic, whilst the second is more lyrical and pensive. The strings and timpani play a dramatic role in the musical argument. After an orchestral introduction the trumpet enters dramatically.

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Percussion instrumentation undifferentiated in score Errata None discovered thus far. Program Notes The concerto is in three movements, following the usual quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first is in a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical.

The last movement is in rondo form, alternating the main theme with two episodes. The first of these is a broad sweeping tune, the second jazz-like in style. After a short cadenza, reference is made to the opening of the concerto, and the work ends with a triumphal flourish. The composer gratefully acknowledges the assistance of Glynn Bragg in the preparation of this version.

Since its premiere, hundreds of performances have been heard all over the world with brass band and piano accompaniment. It rivals the Vaughan Williams tuba concerto in popularity and has also been arranged for solo tuba and symphony orchestra as well as solo tuba and concert band.

The three movements follow a typical pattern of fast-slow-fast and the outer movements each have a quasi-cadenza.

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Tuba Concerto (Gregson)

Percussion instrumentation undifferentiated in score Errata None discovered thus far. Program Notes The concerto is in three movements, following the usual quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first is in a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical. The last movement is in rondo form, alternating the main theme with two episodes. The first of these is a broad sweeping tune, the second jazz-like in style. After a short cadenza, reference is made to the opening of the concerto, and the work ends with a triumphal flourish. The composer gratefully acknowledges the assistance of Glynn Bragg in the preparation of this version.

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Tuba Concerto (brass band version)

Fautaxe The bracketed numbers tell you the precise instrumentation of gregxon ensemble. String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: In the third example, we have a rather extreme use of the system. It consists of the forces Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. The finale is light and breezy in style, and is cast in rondo form.

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